photo by Abel Arciniega
Are you Target Audience? Find out in Philly. Stay tuned for details on the next official AMerican MEdia Output appearance.
I am so excited to announce that on November 5th 2010, I will be presenting at the Critical Mixed Race Studies Conference, Emerging Paradigms in Critical Mixed Race Studies at DePaul University in Chicago.
Creating Resistance: Using the Arts in Challenging Racial Ideologies
A Roundtable Discussion Moderated by Laura Kina with Alejandro T. Acierto, Maya Escobar, Tina Ramirez, and Jonathan Reinert
DePaul University Student Center | 11/5/2010 | 10:15 am
CONFERENCE IS FREE & OPEN TO THE PUBLIC CLICK HERE TO REGISTER
This roundtable focuses on the use of the arts as a strategy to discuss, challenge, and confront ideologies of race and mixed-heritage identities. The panelists involved – each of whom work in different artistic fields – will present their work either via performance or through a discussion of their current work and the process that helped produce such work. The discussion will highlight how identifications of mixed heritage have integrated, collided, or been negotiated within and through their work while also placing their work within the complex relationship between art, activism, and organizing. Additionally, the panelists will address how their creative projects have been used strategically within specific contexts while also reflecting upon the reception of their work among the public. Likewise, they will address the relevance and necessity of this type of work within the “multiracial/post-racial” framework and how their work speaks to those issues to challenge racial expectations and stereotypes.
As experienced cultural producers of various mediums, the panelists will also open up a forum for discussion about their own experience with specific art forms and how those mediums have presented various challenges, limitations, and problems in addressing ideologies of race. The audience will be encouraged to participate in the discussions by contributing their own experiences of using the arts critically and strategically as well as responding to the panelist’s remarks and performances.
Multiple identities align in Behind The Scenes Acciones Plasticas プリクラ
CREATIVE RESISTANCE ROUNDTABLE BIOS
Laura Kina is an artist, independent curator, and scholar whose research focuses on Asian American art and critical mixed race studies. She is an Associate Professor of Art, Media and Design, Vincent de Paul Professor, and Director of Asian American Studies at DePaul University. She is a 2009-2010 DePaul University Humanities Fellow. She earned her MFA from the University of Illinois at Chicago, where she studied under noted painters Kerry James Marshall and Phyllis Bramson, and she earned her BFA from the School of the Art Institute of Chicago. Born in Riverside, California and raised in Poulsbo, WA, the artist currently lives and works in Chicago, IL with her husband, Mitch, and their daughter, Midori, and her stepdaughter, Ariel. Her work has shown internationally is represented in Miami, FL by Diana Lowenstein Fine Arts.
ALEJANDRO T. ACIERTO
Alejandro T. Acierto is an active collaborative musician, improviser, composer and sound artist whose innovative work in contemporary music and performance has led Time-Out New York to call him a “maverick of new music”. His creative output embraces an ambiguous aesthetic that integrates music, sound, performance art, and installation based on historical narratives and his own experience as a third and fourth generation Mexican Filipino American. He recently won the Sidney and Mary Kleinman Prize in Composition and was granted a composers’ residency fellowship at the Virginia Center for the Creative Arts. His work has also been featured by Trifecta Publishing, a curated collection of multimedia works by diverse artists.
Acierto holds a Masters’ degree in Contemporary Performance from Manhattan School of Music and received his Bachelors’ degree in clarinet performance and composition with a minor in Asian American Studies from DePaul University. He has performed and presented his work in Germany, Austria, Italy, France, and across the US. He is a founding member of the New York-based ai ensemble and Chicago-based chamber orchestra ensemble dal niente and is currently freelancing in New York City.
Maya Escobar a performance artist, Internet curator, and editor. She uses the web as a platform for engaging in critical community dialogues that concern processes by which identities are socially and culturally constructed. She performs multiple identities, sampling widely from online representations of existing cultural discourses. Her identifications as a Latina-Jewish artist, dyslexic blogger, activist and educator are indexed by the blogs she keeps, the visual and textual links she posts, the books, articles, and blog posts she cites, the public comments she leaves, and the groups she joins.
Escobar received her MFA from the Sam Fox School of Design & Visual Arts, Washington University in St. Louis, and her BFA from the School of the Art Institute of Chicago. She has exhibited work in Spain, Guatemala, United States, Germany, Venezuela and Chile.
Tina Ramirez is a Filipino Colombian writer, educator and youth organizer, claiming roots as a country mouse and a city mouse (Kansas-born, Chicago-bred). She has co-developed curriculum with youth spaces such as YAWP! (Young Asians With Power!) and MCYP (Multi-Cultural Youth Project), using creative self-expression as a vehicle to explore identity politics and community-based issues. She was a core organizer with Kitchen Poems, an Asian Pacific American writing workshop, and currently serves on the board for the Leadership Center for Asian Pacific Americans. She has self-published two chapbooks and performed at various venues, including Free Street Theater, Judson Memorial Church, and Insight Arts.
Tina received a B.A. in Literary Studies and Creative Writing from Beloit College and an A.M. from the University of Chicago’s School of Social Service Administration with a focus on youth development, nonprofit administration and education policy. She currently works with community schools in Chicago’s Woodlawn neighborhood.
Jonathan Reinert was born in Tuguegarao, Philippines. At three and half years of age, he was adopted into a German American family in 1987. Jonathan lived in Kirkwood, Missouri for 15 years before leaving to attend college in Chicago where he graduated from DePaul University with a B.A. in Art and Art History and a concentration in painting and drawing. Inspired by the work of Vito Acconci and Chris Burden, Jonathan began experimenting with video performance art toward the end of his college career. His debut performance, “Twenty Twinkies,” was a surprising success and compelled him to pursue a career in video production and documentary filmmaking.
Jonathan has recently finished his studies as graduate student in Asian American Studies at UCLA. His master’s thesis film, Left on Lockett Lane, is an autobiographical work which examines his experiences growing up in the Midwest as an Asian adoptee and was awarded official selection in 2010 Los Angeles Visual Communications Asian Pacific Film Festival. Jonathan will spend the remainder of the year submitting Left on Lockett Lane to various film festivals across the country and is in the process of applying to film schools for the fall of 2011.
Come join me at the 1st annual Critical Mixed Race Studies Conference, Emerging Paradigms in Critical Mixed Race Studies, at DePaul University in Chicago, November 5-6, 2010.
The CMRS conference brings together scholars from a variety of disciplines nationwide. Recognizing that the diverse disciplines that have nurtured Mixed Race Studies have reached a watershed moment, the 2010 CMRS conference is devoted to the general theme “Emerging Paradigms in Critical Mixed Race Studies.”
Critical Mixed Race Studies (CMRS) is the transracial, transdisciplinary, and transnational critical analysis of the institutionalization of social, cultural, and political orders based on dominant conceptions of race. CMRS emphasizes the mutability of race and the porosity of racial boundaries in order to critique processes of racialization and social stratification based on race. CMRS addresses local and global systemic injustices rooted in systems of racialization.
I will be presenting at the conference on November 5th in a roundtable discussion moderated by Laura Kina, on the use of arts in challenging racial ideologies. My next post will include more information on the roundtable and on my fellow panelists: Alejandro T. Acierto, Tina Ramirez, and Jonathan Reinert.
This Saturday my friends and I participated in a Cyber Banquet (virtually) hosted by artists Lisa Link and Io Palmer. Here is a re-post of my post on Lisa and Io’s site serve & project, documenting the evenings proceedings.
Cyber Banquet hosted in Chicago at Sandi and Stacey’s apartment.
Follow the Tamalero on Twitter http://twitter.com/tamaletracker.
el es frida kahlo is currently on view in the New Media Room at the Bruno David Gallery in St. Louis, MO.
el es frida kahlo, 2007-present
Frida Kahlo played with the identity that she wanted to project and the identity that was placed on her by others. Kahlo used her clothing, political affiliations, sexual escapades, and personal traumas, to create a character that informed her body of work. She inscribed her identity, painting her image over and over, constructing a mythology around her persona.
In el es frida kahlo I confront the ambivalence I experience as a result of my simultaneous obsession with Frida Kahlo and weariness towards her commodification. Viewed from a tiny pinhole, dressed as Kahlo, I stand before a reproduction of one of her self portraits. With a mixture of rage, anxiety, and complete fear, I chant “el es Frida Kahlo, ella es Frida Kahlo, el es Frida Kahlo, yo soy, yo soy, yo soy Frida Kahlo,” he is Frida Kahlo, she is Frida Kahlo, I am, I am, I am Frida Kahlo. As I yell, the painting behind me begins to fall. I violently tear down my braids and smudge off my makeup while continuing to scream “I am Frida Kahlo, I am Frida Kahlo, yo soy Frida Kahlo!”
el es frida kahlo at the Bruno David Gallery (video filmed and edited by Felicia Chen)
el es frida kahlo YouTube video
FREE el es frida kahlo animated gif avaliable on MayaEscobar.com
Recently Latina Role Model was featured on TikiTiki Blog: stories with cultura, color and sabor, in a post by Carrie Ferguson Weir called Smart Latina vs. Sexy Latina. Carrie asked readers:
So, has your Smart Latina run up against the Sexy Latina? What do you see when you watch Maya’s video? What does it bring up for you? Why can’t we be both Smart and Sexy? Let’s talk about this, break it down, maybe shatter some stereotypes, and bust our own too.
Check out the PROFOUND difference in the nature of the comments left on this post (comments posted below) vs the ones left on YouTube.
my contribution to post on Tiki Tiki:
I perform over-the-top representations of different identities. I group together these representations (characters) as a means of challenging limited perspectives of what women are like, and in this case, what Latina women are like.
This character is supposed to be an intellectual, accomplished, socially conscious woman- who will forever be seen as the “Sexy Latina.” The low quality video blog is meant to mock scenes in movies, where the hot high school teacher walks down the hall and all the boys undress her in their minds.
But I am not taking a negative or positive stance either. I want to question the role Latinas play in perpetuating this persona, and question if that is even a bad thing? Are we limiting ourselves by continuing to have this same conversation, even though the behavior persists, are we enforcing it by bring more attention to it?
I haven’t always been so impartial. Out of all of the characters in Acciones Plásticas, The Latina Role Model is the one I identified with the most. My original description of the way this character was perceived by others was much more reactionary and much angrier than it is now. (see below)
The Sexy Latina© from Acciones Plásticas free (stereotype) postcard, 2007
The Sexy Latina© is an educated woman who cares about important social and political issues. She wears suggestive provocative clothing to compensate for giving up her role as a homemaker. She uses her sexuality to obtain positions in the work world.
Latina Role Model from Acciones Plásticas プリクラ 2009
Over the last two years this character has really evolved. Here is the new description of The Latina Role Model, re-imagined as part of my Acciones Plásticas プリクラ collaboration with artist Rio Yañez:
The Latina Role Model is a diploma totin’ intellectual, sexy, social media goddess.
What do you think? How does the earlier description of The Sexy Latina© differ from this new description of The Latina Role Model? How do these two images relate to the Latina Role Model YouTube video?
Sra. López says:
This is an excellent post and an excellent video. It really does make you think.
I am really not qualified to speak from a “Latina perspective” on this topic because I am Anglo. (If you read my blog, you’ll know I’m Sra. López only because I married a Salvadoran.)
That being the case, I can’t speak from personal experience on Latina stereotypes, but I would like to contribute an opinion or two on topics that are pretty closely related.
For example, it really bothers me that the Latinas picked as reporters and journalists on Univision and Telemundo seem to be more for the purposes of eye candy than to report the news and add intelligent commentary — not that they aren’t intelligent women, but I think the sexism by the head honchos over there is pretty evident, not just on the news, but on other programming as well… And English language channels aren’t always much better. I think Western women in general – no matter what their race, fight very hard to overcome the sense that we are valued more as objects of sex/beauty, than for what’s inside.
It’s very frustrating and I don’t envy the difficult job many women have of raising daughters in this world. (I have 2 sons) … With my own self esteem issues, I can’t imagine what a challenge it would be to raise a girl who is confident in herself and who doesn’t let Hollywood, fashion magazines, men, or even other females, get her down.
I don’t know the solution to achieving true equality, but I think talking about it all is a good start.
Angelica Perez says:
Very interesting…The role model I immediately identified with was the socially-conscious, smart role model, which made me realize how loaded that role is. Being an accomplished and educated Latina comes with so many expectations — the whole giving back to the community, serving your community, being a role model and mentor for others, etc. — that’s not something that an accomplished non-Latina woman has to worry about (or feel committed to).
With regards to the sexy role model — I always say that there is no sexier woman than the one that exudes confidence in herself and who she is — the sexy clothes are just extras…
Ana Lilian says:
I guess I just never even thought of myself as the Sexy Latina…but a cute one yes! LOL! But once I´m on the dance floor, then the sexy comes out and it´s all good.
But,seriously, I guess I just lack the perceived-Latina sassy-ness as I´ve never felt that bias towards me.
I will definitely agree with dear Sra. López that the media, especially the Hispanic media, is completely promoting the hot Latina stereotype, and not much of the smart Latina one. Why do their “news” anchors feel they need to have their breast augmented to be taken seriously?
I think it is inherent in our culture to be “hot” in every sense of the word because we are so passionate.
I love what Maya was trying to accomplish and say with her video, but I found that she couldn’t hide or deny her Latin sensuality even when she was trying to play the part of an “intellectual, accomplished, socially conscious woman.”
This DID make me stop and think, but what I realized is that I tend to shoot for a 3rd type. I go for “Classy Latina.” You know, the one that can wear the big hoops and sexy top with a pant suit. Someone like Ingrid Hoffman or Karla Martinez.
C. Morales says:
My impression is that Latina women play into the stereotype because Latino men often expect them to, and they are threatened by a smart woman. It is not just non-Latino men who expect a mujer caliente and nothing more.
How you project yourself, depends on you, no matter what. I, like Ana, never felt that I was looked at differently because I am Latina. I don’t see my self as a Sexy, Hot, Latina(I hope my husband does, though). Hell, I’m 33, been married for 12 years, and have 3 kids. I don’t get “chifles” anymore… ): LOL!
This is directed towards the younger, single generation. How they present themselves as the future “Latina Generation”, depends on how they are raised. It’s up to us, as moms, to teach our daughters to go and be the BEST they can be. It’s up to me to raise my daughter to know what it right from wrong. Do guys really still think that girls are still destined to be “home/baby makers? Really??
Forget Hollywood. Forget the Media. Heck, forget the evening news. If those ladies felt that they need to have their lady lumps hanging out in order to get the job, then I feel sorry for them. But, it is what it is.
I will raise my daughter to know that education is the key to being classy and sexy! Not exposed Humps and Lady Lumps! Also, I will raise my boys to see women and they see themselves. Whether they marry a Latina or not.
Ay, me pase de mas! he he!
A smart and fun video commentary on the stereotypes of women in general…the educated intellectual, the hot babe, the innocent women. I like that Maya uses humor to deflect the extremes. Also that she creates a fine line between integrating the different role types. This is interesting because everyone is never just one thing…but we may choose to identify one way.
Melissa Garcia Logan says:
I think it’s part of a male dominated culture. Many women have this problem of having to manage male expectations in their professional lives, whether it is living with objectification or men projecting their need for nurturing from any woman they meet. I’ve had jobs where men thought it was okay to flirt with me and expected me to fulfill some messed up hot secretary fantasy, and I’ve had jobs where men I worked with expected me to be maternal and when I was driven, I was labeled aggressive. I’m not a dog, I’m not a hooker, and I’m definitely not your mother, guys.
I think we have to teach men when they’re children that women can fill many roles and to expect them to be as capable and androgynous as any man performing the same duties. By the same token, I don’t know how I feel about using gender or sexuality as an asset to get ahead, my feeling is that anything you do that is manipulative in nature, is skirting unethical, if not flat out crossing the line.
Having a sense of humor about stereotypes though, I don’t know if I see a problem as long as you don’t go too far and reinforce them. If it’s clear it’s a joke and part of the joke is how ridiculous stereotypical behavior really is…
I love the feedback, ladies. All great points and fabulous reflection.
I am left wondering this, after reading Ana and Liz’s comments: Is stereotype/perception felt/seen at a greater level when we don’t live in predominately Latino communities?
This comes to mind because your comments made me realize I never thought too much of my Latina side and my American side until I lived in cities where there weren’t a bunch of Cubans running around me everywhere. My otherness was apparent and pointed out. It was almost like, wow, I am different?
I emailed your post to my niece, whose studying at Penn State, this is what she had to say:
Well, I agree with her lol. A lot of people especially here in Pennsylvania, see me as exotic because I’m Hispanic. They expect me to speak Spanish all of the time and a lot of them expect me to be kinda stupid and slutty. But when people get to know me, they find out that I’m extremely smart. Smarter than most people they encounter. And it sucks because I’m always having to prove myself to people and to teachers. But in the end, I’m the one that’s dropping jaws for my intellect and not for my attractiveness =)
The end haha. Hope that helps.
I am one PROUD Tia!!! (:
Liz, aha! Thank you for sending the post to your niece and validating my theory. I love how your niece wrote to you and the “stupid and slutty” line made me bust out laughing — especially because she obviously is not.
Gracias, proud Tia!
(Maybe she needs to write for the Tiki Tiki? hmmmm?)
Great video and excellent points.
I think that this expectation for Latinas to appear sexy is one reason why I reject the hot mom movement. I wish there was just as much social pressure to be smart Latinas, smart moms, smart women as there is to be hot, sexy, etc.
I met Ben Schachter at the 2009 Conney Conference on Jewish Art: Performing Histories, Inscribing Jewishness, where coincidentally, we both presented Eruv themed works.
In addition to making humorous Jewish themed conceptual art, Ben is a curator and is the man behind Tzit Tzit: Fiber Art and Jewish Identity. I have a few pieces from Hiddur Mitzvah included in the show.
A special exhibit assembled by guest curator Ben Schachter, “Tzit Tzit: Fiber Art and Jewish Identity,” will open with a reception at The Saint Vincent Gallery in the Robert S. Carey Student Center at Saint Vincent College from 6 to 8:30 p.m. Thursday, January 28. Admission is free and open to the public.
The exhibit will continue from Friday, January 29 through Sunday, February 21 during regular Gallery hours: 12 noon to 3 p.m. and 6:30 to 8:30 p.m. Tuesdays, Wednesdays and Thursdays; 12 noon to 3 p.m. Fridays, Saturdays and Sundays. The Gallery is closed on Mondays.
Ms. Silk will present a lecture, “Quilting and Spirituality,” at 6 p.m. Monday, February 9 in room 100 of Prep Hall.
Mr. Schachter, associate professor of fine arts, will give a Gallery tour of the exhibition at 7:30 p.m. Tuesday, February 9.
The exhibit was developed by Mr. Schachter. “I have been studying various aspects of Jewish art for the past three years and this exhibit is an outgrowth of that interest,” Mr. Schachter said. “The artists hail from Los Angeles, New York City, Kansas City, Illinois and Pittsburgh.”
“Fiber art refers to any use of a cloth such as stitching or weaving,” he explained. “The title, Tzit Tzit, refers to the fringe on a prayer shawl, or tallis, worn by many Jews during prayer. While using thread, cloth, pattern making, stitching and other craft materials, each artists’ process creates a language derived from craft techniques that reinterprets the Old Testament, the oral law as written in the Talmud and personal histories. In so doing, both craft theory and Jewish Art are reinvigorated. I learned of these artists through Jewish art conferences I have attended, through exhibitions and through national awards. I think our students and our friends in the region will really enjoy seeing their work.”
Ben Schachter is an artist whose work integrates conceptual art and Jewish law. He sees a connection between the rules artists have created to guide and limit their work and Jewish traditions. His work has been shown nationally and will be on exhibition at the Westmoreland Museum of Art in Greensburg concurrent with this exhibition. He holds an M.F.A. and M.S. degree from Pratt Institute and lives in Pittsburgh with his wife and two children.
Carol Es paints images that powerfully scream of a life of hard labor. As a child she worked endless hours in a sweatshop with her family. Ms. Es’ works are featured in numerous private and public collections, including the Getty Museum, Brooklyn Museum, UCLA Special Collections, the Jaffe Collection and Centre Georges Pompidou in Paris. She is also a two-time recipient of the ARC Grant from the Durfee Foundation and was recently awarded the prestigious Pollock-Krasner Fellowship.
Maya Escobar’s work directly challenges gender roles and illustrates how Jewish tradition empowers women. Ms. Escobar received her master of fine arts degree from the Sam Fox School of Design & Visual Arts, Washington University in St. Louis, and her bachelor of fine arts degree from the School of the Art Institute of Chicago. She has exhibited work in Spain, Guatemala, United States, Germany and Venezuela.
Melanie Dankowicz creates intricate papercut sculptures, marriage contracts, and wall art. An expansion of the medium, Dankowicz’s three-dimensional forms are ephemeral lace-like paper structures, of elegant tracery that has inspired her recent metalwork. She draws inspiration from the countryside of Illinois, where she resides with Harry and their three children.
Leslie Golomb exhibits her work nationally and internationally and is the recipient of numerous awards, including recognition from the National Endowment for the Arts, Pennsylvania Council on the Arts Individual Artists Fellowship Award and a State of the Art Award from the State Museum of Pennsylvania. Her work was recently included in the Three Rivers Arts Festival and Best of Pittsburgh Invitational. Ms. Golomb holds a bachelor in fine arts from Carnegie-Mellon University and a master of fine arts from the School of the Art Institute of Chicago. She served as founder and director of the American Jewish Museum of the Jewish Community Center of Greater Pittsburgh for nine years. She has returned to the studio producing prints and artists books.
Louise Silk began her quest to acquire skills as a quilter after being inspired by an article in Ms. Magazine in 1971 about quilt making as a woman’s art form. Over the past 30 years, her work has been included in Quilt National Biennial Exhibition of Contemporary Quilts as well as many private corporate collections such as USAirways, Paine Webber and PNC Bank. She is a certified Integrated Kabbalistic Healer. She is currently living and working from her loft in the South Side of Pittsburgh, Pennsylvania.
Ms. Golumb and Ms. Silk collaborate and join their printmaking and fiber art into multilayered quilts, runners and tallisim. The images and techniques bring together American folk traditions and Jewish history in surprising ways. Ultimately the perspective of these five artists reinvigorates what Jewish Art is and can become.
Shirah Apple received a master of fine arts degree from the Rinehart School of Sculpture at the Maryland Institute College of Art in 2006. She is a graduate of MICA’s post-baccalaureate certificate program and of Miami University, where she received a bachelor of science degree in business administration.
Further information about the exhibition is available by contacting the Gallery at 724 805-2107, www.stvincent.edu/gallery.