NOW THIS IS GRASSROOTS!!

The Student’s @DelValle4Mayor video just made it into the Huffington Post!!

Rahm Emanuel Hit On School Policy By High Schoolers For Del Valle

A group of Chicago high school students has decided to take Rahm Emanuel to task for his education policy.

Cristina Henriquez, Gerardo Aguilar, and Alexandra Alvarez appear in a YouTube video, uploaded Sunday, entitled “Invest in Our Public Schools.” The spot attacks Emanuel for his praise of the city’s charter schools, and backs rival candidate Miguel del Valle for supporting neighborhood schools.

“I go to Roger C. Sullivan High School,” says Henriquez. “This is not one of the schools Rahm Emanuel cares about.”

The students, who wrote the script for the video, according to its description on YouTube, also point out what they describe as a factual inaccuracy in Emanuel’s portrayal of the city’s charters. “When you take out North Side, and you take out Walter Payton, the seven best-performing high schools are all charters.”

“Someone didn’t do their homework,” the video says, listing the seven top schools as reported by the Chicago Tribune. None of them is a charter school.

The video says it has no connection to any candidate, and judging by the del Valle camp’s reaction, they seem to be telling the truth. Spokeswoman Joanna Klonsky didn’t know much about the video’s origins, except to say that “we didn’t orchestrate it.”

Watch the students take on Rahm:

Invest in Chicago Public School Students

On January 30, 2011 Chicago Public school students and graduates (from Chicago’s Rogers Park neighborhood) got together to film a grass-roots/guerilla campaign ad to “tell it like it is,” and support the best candidate to improve our neighborhood public schools.

The footage used is filmed outside of Roger C. Sullivan High School and from WGN’s January 27th mayoral debate. The stars and script writers of this ad are Sullivan HS students (in order of appearance) Cristina Henriquez, Gerardo Aguilar, and Alexandra Alvarez.

On February 22, 2011 vote to improve our neighborhood schools – Miguel del Valle!

http://www.delvalleformayor.com

This ad was not paid for or endorsed by any candidate or candidate’s committee. Labor & love donated.

Source of top seven high schools: Chicago Tribune

deal with it.

I am Midwestern girl, born and bred.

Yes, I know there is a New York Art World.
And yes, I am aware that people make cultural identity work on the West Coast.
But I am rooted here.
With the world at my fingertips.

Darja Bajagić

Darja sent me a beautiful email on YouTube earlier this week. Needless to say, I was quite taken by her.

Check out her website and YouTube

Berlin’s Eruv Talk

I will be presenting Berlin’s Eruv at KAM Isaiah Israel, as part of their World Jewry Program, this Sunday, November 8th. The lecture is open to the public.

video still from interview with Moshe Or

In 2008 I traveled to Berlin as part of exchange program with my University. Prior to this visit, I had never been to Germany- nor did I have any particular reservations about going or not going, but it seemed everyone else had their own opinion on the matter.

“Germany, how can you go there as a Jew?” “There are Jews in Germany? I thought they were all dead?” “You are so brave to go to Germany…”

Ultimately people’s projections as to my intentions for going to Germany became the filter through which I experienced Berlin.

While I was in Berlin I conducted interviews with members of the community concerning the highly visible presence of the monuments and memorials commemorating Jewish life (death) have impacted their individual and communal Jewish identities. Other topics included: the notion of German Jews vs Jews living in Germany and how this differs from an American Jewish identity, their status as diaspora Jews and their relationship to Israel, their thoughts on the European Union, anti-semitism and the widespread use of facebook as a mode of connection.

The title of the piece Berlin’s Eruv is a play on the fact that there is not actually an eruv in Berlin.  An eruv is a rabbinically sanctioned demarcation of space that transforms public space into private space for the purposes of the Sabbath, allowing Orthodox Jews to carry in public places, a practice which is otherwise prohibited. Modern eruvs are often made of wire strung between utility poles, a gesture towards a “walled courtyard,” indicating an enclosed, private space.

Just as the eruv exists in the minds of the people who abide by it, Berlin’s Eruv manifests itself through the conversations surrounding the idea of the piece. The interviews I conducted in Berlin relied on the presence of institutionalized markers of Jewish identity, to give weight to the idea non-presence of the living Jewish community.

Berlin’s Eruv Talk

11/8/09 @ 10:30 am
KAM Isaiah Israel
1100 E Hyde Park Blvd
Chicago, IL 60615-2810
773-924-1234

Orchard Street Artist Cultural Heritage Project

My father and I participated in the Orchard Street Artist Cultural Heritage Project.

During the months of December 2009 and January 2010, The John Slade Ely House Center for Contemporary Art in New Haven, Connecticut will come alive with memories, recollections, and recreations of an important community heritage site,  in an innovative group installation designed to both stimulate reflection on the legacies of past generations and engage the public in dreams for the future.

The Orchard Street Shul Cultural Heritage Artists Project is an art exhibition, a history lesson,  a point of cultural exchange, and meeting place for dreamers, both nostalgic and visionary.  Artists, researchers, and scholars have joined together to celebrate an important historic New Haven landmark which was once central to the life of a large Jewish immigrant population in the Oak Street neighborhood.

Urban changes in the last 50 years have all but erased evidence illustrating the importance of the Oak Street neighborhood in the lives of the newly arrived immigrants and migrants who populated much of the area now known as the “Oak Street Connector”, Route 34.  Where some see open space, or a new hospital, or a school, or a parking lot, others with longer memories see shops bustling with activity, voices shouting in Yiddish and Italian, sprinkled with a variety of accents from elsewhere, including near and distant regions within the USA.

Contributions to the installation offer a range of approaches.  Some artists researched the history of the Orchard Street Shul and its neighborhood, uncovering multiple stories of this community: stories of women working together to aid refugees, stories of hard-working fathers and mothers who dedicated themselves to making a better life for their children, and stories of teenagers who giggled and mingled on the steps of the Shul.   Others built on their own experiences, reaching into their hearts to create depictions of the Shul that are evocative of deeper connections with history and community.  Still others focused on the issues of urban renewal, making real the shifts in our urban landscape that are difficult to imagine as we visit the site today.

Included in the Project are presentations by researchers from Yale University who developed innovative ways to document the building, including  virtual reconstructions exploring new digital methods, ground-breaking research by computer scientists that promises to change the ways that cultural heritage sites will be documented in the future.  Some contributing artists used this digital data in their creative work.

The Orchard Street Shul Cultural Heritage Project is organized by Cynthia Beth Rubin, a New Haven based artist, in collaboration with participating artists and researchers: Nancy Austin, Meg Bloom, DonnaMaria Bruton, Jeanne Criscola, Roslyn Z. Croog, Linda Drazen, Paul Duda, Gonzalo Escobar,  Maya Escobar, Alan Falk, Greg Garvey, Shalom Gorewitz, Jaime Kriksciun, Leslie J. Klein, Beth Krensky, Seth Lamberton, Mary Lesser, Lisa Link, David Ottenstein, Bruce Oren, Robert Rattner, Cynthia Beth Rubin, Holly Rushmeier, Janet Shafner, Frank Shifreen, Suzan Shutan, Sharon Siskin, Christina Spiesel, Yona Verwer, Julian Voloj, Laurie Wohl, Chen Xu, and Howard el-Yasin.  The group includes artists from California, Florida, Utah, Missouri, Rhode Island, Massachusetts, and New York, who traveled to New Haven to contribute to the project alongside artists from the region.

A Project Book is being published in conjunction with the exhibition, including essays by Haisia Diner, the eminent scholar of Jewish immigration history,  Walter Cahn, renowned historian of art and and architecture, and Hana Iverson, known for her remarkable multi-media installation “View from the Balcony”  that was instrumental in helping attract attention to the renovation project of the Eldridge Street Shul.  The book will also feature photographs of the works in the exhibition and memories of the Orchard Street Shul, with commentary by Karen Schiff.  The innovative book design is by Criscola Design.

The Public is Invited to the Opening Reception for the Participating Artists,  on Sunday, December 6, from 12:00 Noon to 5:00 pm.    To set the mood for the launch of “The Orchard Street Shul Artists Cultural Heritage Project”, the Joseph Slifka Center for Jewish Life at Yale for Jewish Life at Yale will host a Jazz jam session on December 5 at 7:30, celebrating the swing dance music of 1924 and beyond, when the cornerstone of this Synagogue was put in place in a ceremony attended by Mayor Fitzgerald and much of the entire New Haven community.

The John Slade Ely House Center for Contemporary Art is open W-F, 11:00 am to 4:00 pm, and weekends 2:00 pm  to 5:00 pm.  Schools and other organizations who would like to arrange a group visit outside of regular hours may do so by sending an email to: arts@orchardstreetshul-artistsproject.org.

Berlin’s Eruv Video

click here to visit website

Berlin’s Eruv at the 2009 Conney Conference on Jewish Art

I will be presenting Berlin’s Eruv at the 2009 Conney Conference: Performing Histories, Inscribing Jewishness at University of Wisconsin Madison.

Berlin’s Eruv is a conceptual project that addresses the assumed non-presence of Jews in Germany. Berlin does not actually have an eruv. There is however, an active Jewish community, one that is frequently overshadowed by the city’s prominent monuments and memorials commemorating Jewish life (death). Berlin’s Eruv weaves together voices from Berlin’s Jewish community in an attempt to construct a metaphorical eruv representative of a living Jewish Community. Just as the eruv exists in the minds of the people who abide by it, Berlin’s Eruv manifests itself through the conversations surrounding the idea of the piece.

*****

I will be showing Berlin’s Eruv at 2009 MFA Thesis Exhibition, opening May 8th at the Kemper Art Museum.

together we hope

The polling lines were LONG in STL, I waited over 4 hrs to vote!  But it was well worth it, I have never been more proud to be an american and to take part in such an important moment in history.

The night of the elections, Carianne and I initiated our project together we hope with the help of our friend Becky Potts.  We passed out red tyvek tags and asked people to write down their hopes for the future. We tried to encourage them to go beyond “I hope Obama wins” or I hope McCain wins”.

People wrote things ranging from “I hope I get good grades” to “I hope that we end the war in Iraq and do not go to war win Iran.”

Check out this website we created where you can submit your hopes online. We will make a tag for each hope submitted…