Yo Soy Oro

Yo Soy Oro is a state of mind, a feeling and a destination. I Am Gold means as good as it gets, the best that money can buy, constantly increasing in value. El Centro de Oro is all that and more. Third generation family owned businesses thrive, while new investments bring change to the streets. Lovely long haired ladies in shiny gold outfits stride confidently down clean sidewalks where bright yellow big bellies on every corner keep trash where it belongs. Taste the rich flavors of tropical dishes and rock to the sounds of solid gold hits from the best of Latin music.

New Futuro featured in The Atlantic’s series on economic progress

New Futuro, founded in 2008, works with community organizations and schools in urban Latino neighborhoods to provide students and their families with access to the college materials they’ll need, all of which are available in both English and Spanish translations. The company’s web platform offers America’s largest Hispanic scholarship database and hundreds of articles featuring useful advice on college planning, as well as profiles of successful minorities who’ve reached high levels in their careers. New Futuro also publishes a bilingual print magazine, which is distributed for free in high schools and through nonprofit and community partners.

read the full article in The Atlantic: New Futuro Narrows the Education Gap for Latino Students

Escobar-Morales at The Painted Bride in Papeles: Are we what we sign?

PAPELES: Are we what we sign? aims to serve as a visual examination of our social bond with papers as legal signifiers of identity that shape individual mobility, cultural acceptance, gender and sexual-orientation equality, economic access, labor opportunities, and educational attainment.  Visual artists, community leaders, and arts administrators use this project to reflect upon the socio-cultural impact of documentation processes present in American society.

This exhibition gathers twelve influential—established and emerging—artists working in drawing, painting, installation, printmaking, photography, and mixed media. Participating artists include Andrea Rincon, Andria Morales, Carlos Nuñez, Doris Nogueira-Rogers, Erika Ristovski, the duo Escobar-Morales, Jonas Dos Santos, Jorge Figueroa, Lina Cedeño, Michelle Ortiz, Paula Meninato, and Susana Amundaraín.  They propose social-visual experiments from their positions as immigrants and/or descendants of immigrants from Latin American nations. New and existing works in this exhibition illuminate the concept of documentation into powerful narratives of critique, ambiguity, longing, and resilience.

 

The Painted Bride
230 Vine Street | Philadelphia, PA 19106 | 215.925.9914

September 7 – October 21, 2012
Gallery hours: 12pm – 6pm, Tues – Sat
First Friday receptions: September 7, October 5 | 5-7:30pm
Guest Curator Andreina Castillo | Co-Presented with Acción Colombia

Digital. Creative. Conceptual. Think Tank Team.

Ladies and Gents, life is good.  I am the Creative Director for New Futuro.

New Futuro provides Latino families with fully bilingual resources and tools to get students into college and beyond! We are committed to making you an education rockstar!  We will  teach you how to get into the college of your dreams with money to pay for it.  It’s all about making the right classes at the right time, knowing the right people, and getting involved with the right groups.  College is your future,  so why should it be a challenge to get there?  New Futuro will help you achieve your dreams through education! 

Read more about my #awesome creative team here.

AMerican MEdia Output in New Jersey

You saw Escobar-Morales as promo models in TX, “promoting” Arizona Tourism…

And here we are as marketing executives in NJ.

Andria was live at Gallery Aferro and I skyped in from Chicago.

Stay tuned for more details on the performance and the results from AMerican MEdia Output‘s #targetaudiencesurvey.

AMerican MEdia Output in Texas

AMericanMEdiaOutput.com

Negotiating Latina Identity through Performance Art on the Web

Andria and I will be presenting  Are You My Other? next week at the 2011 National Popular Culture Association Conference in San Antonio, TX.

Negotiating Latina Identity through Performance Art on the Web
with Maya Escobar and Andria Morales

Challenging mainstream and academic representations of Latina identity, performance artists Maya Escobar and Andria Morales publicly negate, deconstruct, and reconstruct their individual histories, identities, and conceptions of self. In their current project Are You My Other? a self-portrait dialog exchange blog, Escobar and Morales draw from popular culture, Latino/a cultural iconography, and their lived experiences to create and virtually perform conflicting representations of Latina selves. From devoted homemaker to hockey player, reggaetonera to construction worker, conceptual artist to human corn on the cob, the artists model the multiplicity of identity.

Due to their shared physical similarities, followers of their online exchange often mistake Escobar and Morales for one another. The merging of their identities is further perpetuated through their activities on social networking sites such as Facebook and Twitter. By locating these performances within the space of the web, where they are free from restrictions of time and place, the artists are able to concurrently enact multiple personas while simultaneously forming a unified (Latina) hybrid self.

Entrevista en Sí Se Puede

an example of my Internet Art

Last week I had the on honor of being interviewed by my papi on Sí Se Puede. We talked about Internet art, the implications of growing up online, linguistic performances on twitter, public vs private, and more.

If you missed it you can listen here:

Andria, The Fat Free Elotera, and I are featured in JEWCY

Jewcy Art: Maya Escobar
by Margarita Korol, February 24, 2011

In 2007 we dubbed her the Anti-Feminist Feminist Jewish Latina. We stumbled upon performance artist/ Internet curator/ editor Maya Escobar again at the GA in New Orleans where her video installations were making a Marina Abramovich-style scene near Jewcy’s booth. She uses the web as a platform for engaging in critical community dialogues that concern processes by which identities are socially and culturally constructed. She performs multiple identities, sampling widely from online representations of existing cultural discourses.

click here for full text